Making masks at home – what you need to know about how to reduce the transmission of coronavirus
- Written by Susan L. Sokolowski, Director & Associate Professor of Sports Product Design, University of Oregon
The recent Centers for Disease Control and Prevention recommendation to use cloth face coverings[1] to help slow the spread of COVID-19 has generated numerous how-to articles and videos. As academics who focus on personal protective equipment (PPE) research and development, we are concerned about the lack of information about two critical features of home mask design: fit and fabric selection.
The reality of particle size
Virus particles are tiny, ranging from 0.1 to 0.3 micron. A size 40 micron particle is visible with the naked eye – anything smaller, you need specialized equipment to see it.
SARS-CoV-2 virus in comparison to other known particles (not to scale).
Susan Sokolowski, CC BY[2]
Protective masks like the N95 are designed to prevent virus particles from flowing in and out of the mask. Due to current shortages[3], N95 masks should be reserved for COVID-19 health care workers only.
Better than nothing
Homemade masks cannot block or filter the SARS-CoV-2 virus, because it can easily flow through every common material people have at home. However, a homemade mask is still better than none at all. If made correctly, a homemade mask can reduce the transmission of the virus from the wearer to others by impeding large droplets and spray produced by a cough or sneeze. It can also reduce the transmission of the virus from others to the wearer.
Fit
Masks should completely cover the nose and mouth. When measuring for a mask pattern, make sure it extends from the top of the nose – as close as possible to the eyes without obstructing sight – to under the chin. Masks should cover the face side-to-side, well past the opening of the mouth.
When developing prototypes, check around all edges of the mask for gaps. If you see any, close them up by pinching the fabric together, and stitch or tape or staple edges together to create a pleat or dart. A thin metal wire or paper clip placed along the top edge of the mask can stabilize and shape it along the bridge of the nose and cheekbone for a closer fit.
Masks should stay securely in position and fit comfortably with ties or elastic ear loops. If the mask is too tight or loose, the wearer may continuously adjust the mask forgetting the admonition – “Don’t touch your face!”
The ties and loops should also be the mechanism for taking off the mask[4], as the front of the mask might be contaminated.
A properly fitting mask.
Arlys Dayton, CC BY[5]
Fabric selection
People have varying access to different fabrics at home. Masks should incorporate fabrics that:
Reduce virus transmission to and from the nose and mouth
Wrap around the face and are comfortable next to the skin
Are easy to wash and sanitize.
Fabric is comprised of four variables that must be considered for mask making: fiber, yarn, structure and finish. Change a variable - and mask performance changes.
Variables that make up a fabric.
Susan L. Sokolowski and Karen L. LaBat, CC BY[6]
Fibers are the smallest component of a fabric. They cannot be identified by sight or touch. Look for a fiber content label on the products or fabrics you might use for your mask. Alternately, a “burn test[7]” can be used as a crude method to determine if a fabric is a natural fiber, human-made fiber, or a blend of natural and man made fibers. If you choose this method be careful.
There are three important fiber characteristics to consider for mask making. The first is micron size – the diameter of a fiber. The SARS-CoV-2 virus particle is 0.1 to 0.3 micron, so small-sized fibers allow for more compact fabric structures to reduce transmission. The second is how the fiber feels next to skin – this will indicate how comfortable a mask may feel next to your face. The third is moisture regain – how well the fiber absorbs moisture. A higher number means more absorbency; low regain gives a sense of how well the fiber might repel moisture.
Generic fiber characteristics and mask considerations.
Susan L. Sokolowski and Karen L. LaBat, CC BY[8]
Fibers are twisted together to form yarns. Yarns vary in size affecting fabric thickness and breathability. “Yarn count” is the number of yarns in a 1-inch square of woven fabric. A high yarn count fabric indicates a dense fabric with droplet blocking potential. Yarns with different properties can be blended to combine characteristics.
Yarns are then structured into the physical fabric.
Types of fabric.
Susan L. Sokolowski and Karen L. LaBat, CC BY[9]
Structures and mask considerations.
Susan L. Sokolowski and Karen L. LaBat, CC BY[10]
Performance finishes, like water repellency and antimicrobials, are not visible but could be helpful. Detect water repellency or moisture wicking by using an eye dropper to place a drop of water on a fabric to see how it moves across the fabric. Aesthetic finishes like graphics and batik are not so useful.
Put it all together
There are many fabric variables to reckon with for a homemade mask. Consider building a three-layer system.
Three-layer mask system considerations.
Susan L. Sokolowski and Karen L. LaBat, CC BY[11]
This three-layer system includes a space between the inner and outer layers for a removable middle layer. A replaceable “filter” is inserted in that space. If one fabric layer is too thin, add additional layers for protection.
Homemade masks will not filter the SARS-CoV-2, however, masks may prevent droplets and spray from transmitting between individuals. When wearing a mask, remember to continue social distancing, wash hands frequently and wipe down surfaces and packages.
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References
- ^ cloth face coverings (www.cdc.gov)
- ^ CC BY (creativecommons.org)
- ^ current shortages (www.fda.gov)
- ^ mechanism for taking off the mask (www.who.int)
- ^ CC BY (creativecommons.org)
- ^ CC BY (creativecommons.org)
- ^ burn test (info.fabrics.net)
- ^ CC BY (creativecommons.org)
- ^ CC BY (creativecommons.org)
- ^ CC BY (creativecommons.org)
- ^ CC BY (creativecommons.org)
- ^ Sign up for The Conversation’s newsletter. (theconversation.com)
Authors: Susan L. Sokolowski, Director & Associate Professor of Sports Product Design, University of Oregon
