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  • Written by Christina Maranci, Professor and Department Chair, Arthur H. Dadian and Ara Oztemel Professor of Armenian Art and Architecture, Tufts University

A six-week war in Nagorno-Karabakh, a mountainous region in the South Caucasus, ended on Nov. 9 after Russia brokered a peace deal[1] between Armenia and Azerbaijan.

Under the deal, several ethnically Armenian provinces in Nagorno-Karabakh, which Armenians call Artsakh, were surrendered to Azerbaijan[2] in November and December.

This is the latest chapter in a conflict that dates back[3] at least a century. In 1921, the Soviet Union declared Nagorno-Karabakh part of Azerbaijan despite its ethnic Armenian majority. Since that time, the territory has been the site of massive demonstrations[4], failed international agreements[5] and a brutal war[6] from 1992 to 1994.

The human tragedy has been devastating. In the 2020 fighting alone, over 5,000 soldiers died[7] and more than 100,000 people were displaced[8]. Though the war is over, the rich architectural heritage[9] of the region is still at risk.

Heritage organizations worry[10] that the numerous historic Armenian churches[11], monasteries and tombstones of the region may face damage or destruction now that they are out of Armenian hands.

Damage to historic churches

The war had already damaged many Armenian monuments. In the fall, Azerbaijani offensives shelled the ancient city of Tigranakert[12], founded in the first century B.C. by the Armenian king Tigranes the Great.

It also damaged the historic Holy Saviour “Ghazanchetsots” Cathedral[13] in Shusha, one of the largest Armenian cathedrals in the world. Shusha, called Shushi by Armenians, is Karabakh’s cultural capital[14].

After Azerbaijani soldiers took control of the city, online images[15] showed its 19th-century Armenian cathedral defaced with graffiti. Another 19th-century church nearby, known as the Kanach Zham and dedicated to Saint John the Baptist, also appears to be damaged[16].

The Armenian monuments of Nagorno-Karabakh form part of the broader architectural tradition of Armenian art and architecture which I study. For over 20 years, I have conducted research and fieldwork[17] in historical regions of Armenia, including Nagorno-Karabakh.

View of a damaged cathedral from a broken glass window The roof of the 19th-century Ghazanchetsots Cathedral in Shusha was partially destroyed by Azerbaijani shelling in October 2020. Celestino Arce/NurPhoto via Getty Images[18]

Medieval heritage

Nagorno-Karabakh forms a remarkable chapter in Armenian art history because of its antiquity and its visual and religious distinctiveness.

The Monastery of Amaras, in the southeast, was founded in the fourth century, when Armenia became the first country to make Christianity its national religion.

It is the burial place of Saint Grigoris[19], grandson of Gregory the Illuminator[20], the patron saint and evangelizer of Armenia. It is also the site of the first school to use the Armenian script[21].

The walled complex houses a large basilica. Underneath it lies Grigoris’ fifth-century tomb – one of the oldest surviving Armenian Christian burial structures.

Recent archaeological excavations[22] show that this tomb could be entered from the east – quite unusual in traditional church architecture. Scholars link the layout[23] to the Holy Sepulcher in Jerusalem, the place both of the crucifixion and the tomb of Jesus.

Many other churches in Nagorno-Karabakh date later, from the 13th to 18th centuries, and incorporate carved cross-stones called khachkars[24] into their walls. Khachkars often feature inscriptions written in Armenian that record the donor’s name and family members.

A stone with intricate cross inscription in the facade of a stone building A cross-stone, or khachkar, is built into a church wall in the Armenian village of Sotk. Alexander Ryumin\TASS via Getty Images[25]

In a church in Takyaghaya, the entrance is a beautiful patchwork of khachkars of various sizes and shapes. To the south, near Handaberd, a khachkar that likely dates to the 12th or 13th century is carved with a rare image of the Virgin Mary[26] breastfeeding the Christ Child.

Meanwhile, the church of Tzitzernavank[27], in the west, is an extraordinary example of an intact early Christian basilica. It dates from the fifth or sixth century. An upper-level gallery above its sanctuary is an unusual design in church architecture. It is not clear why worshipers would be permitted to stand above the holiest area of the church.

Tzitzernavank also offers evidence of continued Armenian presence through the early modern period. An inscription on the church[28] from before the 10th century asks Christ to “Remember the prayers of your servant, the undeserving Grigor, for his beloved brother Azat.” Another, from 1613[29], states that “By the will of God … the fortress wall was repaired by the hand of Prince Haikaz…”

Bearing the names of parents, children and other individuals, these inscriptions – and the monuments on which they appear – form a veritable history book of the region.

Rich past, but uncertain future

Nagorno-Karabakh is home to multiple architectural traditions. There are prehistoric caves and petroglyphs, or rock carvings, as well as medieval and modern Islamic tombs and mosques, and bridges, fortresses and palaces. They reflect the layered and diverse communities of the region.

But heritage organizations, museums[30], scholars[31], journalists[32] and church leaders[33] are most concerned about the fate of the vast number of Armenian Christian monuments which represent the indigenous Armenian populations – and which may suffer for precisely that reason.

[Get the best of The Conversation, every weekend. Sign up for our weekly newsletter[34].]

Scholars worry[35] the monuments could face the same fate[36] as the Armenian sites located in the nearby Azerbaijani exclave of Nakhchivan, where soldiers demolished thousands of khachkars[37] between 1997 and 2007.

I believe digital documentation of the Armenian monuments in Nagorno-Karabakh is crucial to record their condition in the immediate aftermath of war. If destroyed, they are gone forever, which scholars like me believe would be a tragic impoverishment of world heritage.

References

  1. ^ Russia brokered a peace deal (www.washingtonpost.com)
  2. ^ surrendered to Azerbaijan (www.aljazeera.com)
  3. ^ conflict that dates back (www.cfr.org)
  4. ^ massive demonstrations (www.nytimes.com)
  5. ^ failed international agreements (www.latimes.com)
  6. ^ brutal war (www.hrw.org)
  7. ^ 5,000 soldiers died (www.reuters.com)
  8. ^ 100,000 people were displaced (news.un.org)
  9. ^ rich architectural heritage (www.rferl.org)
  10. ^ Heritage organizations worry (icom-armenia.mini.icom.museum)
  11. ^ numerous historic Armenian churches (www.kirche-hilft-armenien.ch)
  12. ^ ancient city of Tigranakert (hyperallergic.com)
  13. ^ Holy Saviour “Ghazanchetsots” Cathedral (www.theartnewspaper.com)
  14. ^ Karabakh’s cultural capital (www.reuters.com)
  15. ^ online images (en.armradio.am)
  16. ^ appears to be damaged (en.armradio.am)
  17. ^ research and fieldwork (ase.tufts.edu)
  18. ^ Celestino Arce/NurPhoto via Getty Images (www.gettyimages.com)
  19. ^ Saint Grigoris (www.amaras.org)
  20. ^ Gregory the Illuminator (www.ancient.eu)
  21. ^ school to use the Armenian script (www.amaras.org)
  22. ^ Recent archaeological excavations (news.am)
  23. ^ Scholars link the layout (artsakhlib.am)
  24. ^ carved cross-stones called khachkars (www.metmuseum.org)
  25. ^ Alexander Ryumin\TASS via Getty Images (www.gettyimages.com)
  26. ^ rare image of the Virgin Mary (twitter.com)
  27. ^ church of Tzitzernavank (www.raa.am)
  28. ^ inscription on the church (www.raa-am.com)
  29. ^ from 1613 (www.raa-am.com)
  30. ^ museums (www.metmuseum.org)
  31. ^ scholars (www.globenewswire.com)
  32. ^ journalists (eurasianet.org)
  33. ^ church leaders (armenianchurch.us)
  34. ^ Sign up for our weekly newsletter (theconversation.com)
  35. ^ Scholars worry (www.globenewswire.com)
  36. ^ face the same fate (www.wsj.com)
  37. ^ thousands of khachkars (hyperallergic.com)

Authors: Christina Maranci, Professor and Department Chair, Arthur H. Dadian and Ara Oztemel Professor of Armenian Art and Architecture, Tufts University

Read more https://theconversation.com/armenians-displaced-from-nagorno-karabakh-fear-their-medieval-churches-will-be-destroyed-149141

Metropolitan republishes selected articles from The Conversation USA with permission

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